This series was begun in the early 1990's and continues to the present day, with over 250 different pieces having been made. It arose from a combination of circumstances -- a technical discovery of how to make apparently curved ribs and a desire to make work which could be exhibited. I later realised I was not the first to use the 'rib' technique (a few origami creators had used it as a small detail in a complex model), though I have explored it with much greater rigour and it is now indelibly associated with my name.
The pieces are technically similar, though differ substantially in the detail. This creative focus on 'variation' rather than on a long series of unique models is intended to shift my attention somewhat away from the left-brain 'how?' of folding, towards a more right-brain focus on colour, shape and meaning. In this way, the pieces have a different creative emphasis to almost all other paper folded (origami) work, being less technical in concept. In my pieces, the technique is the servant, not the king.
Inspiration for the pieces comes from organic forms such as bacteria, seed heads and shells. Controversially for many origami purists, the paper is coloured with charcoal or dry pastel and sealed to create a surface with a matt lustre. I do this because the simple truth is that for me, untreated paper doesn't have the 'presence' of paper customised with pastel. This customisation of the surface somehow changes a model or a craft object into an art object.
The photographs below show work folded from single uncut sheets. All pieces are between 10cm and 20cm high.